Sunday, February 16, 2025

February 16, 2025

 Greetings Everyone!

I hope all of you will pick up a copy of my newest book: Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, available on Amazon, Bloomsbury, and other online booksellers!

You can read all about Lovecraft’s theory of evolution, which reveals a fear on his part that degeneration is a stronger force than development; that human beings can more easily devolve than they can evolve. Lovecraft’s theory derives, in part, from Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde (1886), a book that Lovecraft was very familiar with.

Mr. Hyde is described by numerous characters in the novel as “deformed” or “degenerate.”  When  Jekyll transforms into Hyde, this can be interpreted as a devolution from a higher form of life into a lower one.  Over the course of Jekyll’s transformations, Hyde begins to dominate Jekyll, such that Jekyll finds it increasingly difficult to make the transition back to his integrated self.

Finally, in the climax, Jekyll cannot return to being Jekyll; frustrated, he commits suicide and dies.  Interestingly, however, Jekyll still cannot break free; the dead body that remains is Hyde’s body.  The transformation is permanent, even in death.

Here, Stevenson is making the same argument that Lovecraft makes in his hybrid, degenerative monster tales: devolution is stronger than evolution!

In my next two postings, I will examine two additional Victorian horror masterpieces that inspired Lovecraft’s evolutionary theories: Oscar Wilde’s The Picture of Dorian Gray and Bram Stoker’s Dracula.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS

Sunday, February 9, 2025

February 9, 2025

Greetings Everyone!

I hope all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

In my last posting, I talked about Lovecraft’s racist, polygenetic theory of  evolution.  Lovecraft argues that  Anglo-Saxons and the other white races, who are genuine human beings, are descended from advanced types of apes.  In contrast,  blacks and the lesser races are descended from lower, less evolved apes. Therefore, blacks and whites are  separate species and blacks should not be considered as human beings.

In his fictional works, especially in the early works—the tales that I refer to as the hybrid, degenerative monster tales—Lovecraft carries this argument even further.

He suggests that when it comes to separate, but similar species such as blacks and whites, there is a built-in genetic barrier that excludes members of the “lower” species from becoming members of the “higher” species.  However, the reverse is not true— members of the higher species can move between the barriers  and de-evolve if they so desire, but this will force them to leave their “humanity” behind.

You can read all about Lovecraft’s theory of de-evolution and how he uses it to justify his xenophobic political beliefs in Horror as Racism in H. P. Lovecraft!

In my next posting, I will examine one of Lovecraft’s main sources for his views about de-evolution—Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS


Wednesday, January 22, 2025

January 22, 2025

 Greetings Everyone!

I hope that all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

In two of his earliest poems, “De Triumpho Naturae” (1905) and “On the Creation of Niggers”(1912), Lovecraft upends Darwin’s theory of evolution by proposing a theory of polygenesis, as opposed to genesis.

According to this theory, humans, including the superior types of humans—white Anglo Saxons—evolved from some type of highly developed quadruped, complete with pointed ears and a tail, like their distant cousin the monkey. However, Blacks evolved from different, lower quadrupeds. 

Thus, or so the theory holds, since white Anglo-Saxons and Blacks are not descended from the same quadrupeds, they are separate species, and therefore, Lovecraft concluded, Blacks should not be considered as human beings.

You can read all about Lovecraft’s theory of polygenesis in Horror as Racism in H. P. Lovecraft, and how Lovecraft uses this theory to insist that Blacks, like monkeys and apes, must be kept separate from humans—that they represent, in fact, a threat to the purity of the white race. 

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Tuesday, January 7, 2025

January 7, 2025

 Happy New Year Everyone!

I hope that all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

Lovecraft lost his privileged lifestyle in his teen years, when he and his mother were forced to move out of their  Providence Rhode Island mansion and live instead in rented rooms located just blocks from their former house. 

This was the most traumatic event in Lovecraft’s life and his racial hatred against non-whites intensified, for he could see that he and his mother weren’t as privileged or superior to these so-called inferior races as he had believed.

This event, also, triggered a pattern of loss and failure that characterized Lovecraft’s life from that moment onwards: whenever he found himself facing a “crisis,” he would freeze up and be unable to act—thus, whatever he was trying to accomplish usually ended up in failure. 

The pattern of loss and failure is evident not only in the various personal crises that Lovecraft found himself having to face in his adult life, but we see this same pattern of behavior reflected in the lives and careers of the fictional protagonists in his major works.

You can read all about Lovecraft’s personal traumas and the psychological & psychosomatic problems that plagued him in Horror as Racism in H. P. Lovecraft!  

All of these traumas and problems laid the foundation for most of his greatest tales, especially “The Rats in the Walls,” The Case of Charles Dexter Ward, “The Shadow Over Innsmouth” and “The Dreams in the Witch-House."

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS 

Monday, December 23, 2024

December 24, 2024

Greetings Everyone!

It's Christmas Eve!

A magical night, when the boundaries between this world and the other worlds are thin and insubstantial.  A night when the living can communicate with the dead.  A night for those who want to see a ghost!

Christmas Eve, in particular, is the best night of the year for reading ghost stories.  There is, of course, A Christmas Carol, by Charles Dickens: the scene near the end with the Ghost of Christmas Yet to Come, "draped and hooded", floating "like a mist along the ground" is deliciously nerve-wracking.

My favorite ghost stories are "Jerry Bundler," by W. W. Jacobs; "How Fear Departed From the Long Gallery," by E. F. Benson; and "The Crown Derby Plate," by Marjorie Bowen.

Be sure to check them out!  

JLS



Saturday, December 14, 2024

December 14, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury! I hope that all of you will pick up a copy!

Lovecraft scholar Jeffrey Andrew Weinstock, in his essay “Tekeli-li: Poe, Lovecraft, and the Suspicion of Sameness” (2017) poses these questions: “If the affective power of a text is derived from retrograde sociopolitical points of view, to what extent is the reader who enjoys the works implicated in approving of and disseminating those opinions?  How, in short, should we read—and teach—racist texts?”

After reading Horror as Racism in H. P. Lovecraft, the reader should be in a better position to answer these questions, and though a few readers might find the answers easy, the majority, I think, will find them even more difficult. 

 JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/




Monday, November 25, 2024

November 25, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury!  I hope that all of you will pick up a copy!

Paul Rolland, Lovecraft scholar and author, writes: “The deficiencies of the man do not....debase the quality of his best work.  If anything, they invest it with a twisted passion that is missing from his more fantastic fiction."

"Twisted passion” is the perfect phrase to describe Lovecraft’s work, especially the racist works.  One could argue, in fact, that this twisted  passion enhanced Lovecraft's  hybrid, degenerative monster tales, making them much more frightening and investing them with raging, nearly psychotic emotion.

You may agree with this, or not.  But my book is, at the very least, an attempt to study and understand exactly how passionate and twisted Lovecraft really was.

So, please check it out!

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/