December 14, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury! I hope that all of you will pick up a copy!

Lovecraft scholar Jeffrey Andrew Weinstock, in his essay “Tekeli-li: Poe, Lovecraft, and the Suspicion of Sameness” (2017) poses these questions: “If the affective power of a text is derived from retrograde sociopolitical points of view, to what extent is the reader who enjoys the works implicated in approving of and disseminating those opinions?  How, in short, should we read—and teach—racist texts?”

After reading Horror as Racism in H. P. Lovecraft, the reader should be in a better position to answer these questions, and though a few readers might find the answers easy, the majority, I think, will find them even more difficult. 

 JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

November 25, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury!  I hope that all of you will pick up a copy!

Paul Rolland, Lovecraft scholar and author, writes: “The deficiencies of the man do not....debase the quality of his best work.  If anything, they invest it with a twisted passion that is missing from his more fantastic fiction."

"Twisted passion” is the perfect phrase to describe Lovecraft’s work, especially the racist works.  One could argue, in fact, that this twisted  passion enhanced Lovecraft's  hybrid, degenerative monster tales, making them much more frightening and investing them with raging, nearly psychotic emotion.

You may agree with this, or not.  But my book is, at the very least, an attempt to study and understand exactly how passionate and twisted Lovecraft really was.

So, please check it out!

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

 

November 10, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury. I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Horror as Racism in H. P. Lovecraft is the first, full-length study that addresses the topic of Lovecraft's racial hatred.  The book will show for the first time the full extent of Lovecraft’s racism, which ranges from the early works—the hybrid, degenerative monsters tales, as I refer to them, to the later, mature works—the great tales, as they are sometimes called, where Lovecraft’s extra-terrestrial alien races—all of them cosmic slave masters—square off against their own manufactured slave races and, in certain cases, human slaves as well.

The book, in particular, studies how Lovecraft uses his racial hatred creatively by developing racist images and narratives to advocate for his xenophobic, political beliefs: western civilization is in decline due to unrestrained immigration, miscegenation and hybridism; and, slavery is not only endemic, but justifiable among superior civilizations, especially the white, Anglo-Saxon civilizations.

There is no writer in the English language, and certainly, no writer of comparable magnitude to Lovecraft, who even attempts to do such a thing.  It is, quite literally, an unprecedented phenomenon.

So, please check it out!  

John L. Steadman 

November 1, 2024

 Greetings Everyone!

It's November, the last month of autumn before the dark days of winter!

Now is the season to read Edgar Allan Poe and H. P. Lovecraft,  writers who capture perfectly the horrors that lurk beyond the boundaries of space and time.

Hervey Allen describes one of Poe’s greatest poems in his biography Israfel: The Life and Times of Edgar Allan Poe.

“In “Ulalume,” Poe personified the constellations, reading into them an allegory of his soul’s predicament...there was a white, frosty starlight caught in these lines; a terror of the great caverns of space, haunted by the beasts of the zodiac; an element of irresponsible cosmic will in the fatal hour marked by the star-dials...a demon landscape lit by the star-glimmering, miraculous crescent of the goddess of passion.” 

Poe’s fictional works are filled with this  “white, frosty” terror.  H. P. Lovecraft’s work, also, expresses the same kind of terror.

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

 HAPPY HALLOWEEN, EVERYONE!

JLS

October 25, 2024

Greetings Everyone!

It is the last week of October and in this, my final October posting, let us sum up what we have learned during the month.

*  Ray Bradbury talks about the autumn people and warns us against them, claiming that they are soulless, evil things that seek to ensnare humans.  But there are also autumn people who have souls and are not evil; they love autumn and celebrate the death of the year and the renewal that always follows.

* Bradbury, again,  describes Halloween with images that seem to suggest death: the cold wind; the velvet grave-cerements; the smoke-like funeral plumes; images that seem to be a threat to our existence. But Halloween is not about death—it is about life. And the candles burning in jack o’ lanterns represent life and the celebration of the everlasting life to come after death. 

* H. P. Lovecraft personifies October as a “mystic pilgrim” who comes from a far land down the road to farther lands.  Lovecraft did not believe in “farther lands,” but I do—and I think that most of you do as well—farther lands of beauty and promise where we can, if we have enough love, hope and faith, make all of our dreams come true.

* Finally, Edgar Allan Poe describes a man journeying on Halloween night through a nightmarish place, encouraged to keep going  by the beautiful vision of a ghost planet. But he  ends up standing before the tomb of his dead lover—the Lady Ulalume; he has been tricked by the woodland ghouls into a confrontation with Death.  

This is the ultimate Halloween trick or treat.

But it is also a blessing.  For now, he can come to terms with his sadness and his emptiness and put them to rest, just as his lover is now at rest. And then he can move on to a new life and to the future that always waits for those who keep moving forward. 

JLS 

October 15, 2024

Greetings Everyone!

It is the third week of October!

Before ending my series of October postings, it is only fitting to cite Edgar Allan Poe, an autumn person to the roots of his heart and soul. 

In his greatest poem “Ulalume”, Poe describes the October dream-scape that his narrator is journeying through on his way to a mysterious destination.  It is clear that this nightmarish experience is taking place on Halloween night.

The skies they were ashen and sober;

The leaves they were crisped and sere-

The leaves they were withering and sere:

It was night, in the lonesome October

Of my most immemorial year:

It was hard by the dim lake of Auber,

In the misty mid region of Weir:-

It was down by the dark tarn of Auber,

In the ghoul-haunted woodland  of Weir.

The narrator encounters weird visions, including the “specter” of a planet—a  ghost planet!—and ends up standing before the tomb of his beloved, the Lady Ulalume.

The narrator has been tricked by the woodland ghouls into a confrontation with Death.   And this is the ultimate Halloween trick or treat!

JLS

October 8, 2024

 Greetings Everyone!

It is the second week of October.

 H. P. Lovecraft, surely as much of a patron saint of autumn as Ray Bradbury, personifies October as a “mystic pilgrim” in his poem “October.”

“Mellow-faced with eyes of faery, wistful clad in tinted leaves,

See the brown October tarry by the golden rows of sheaves.

Oak and acorn in his garland, fruit and wineskin in his hands,

Mystic pilgrim from a far land down the road to farther lands.”

This is a bit ironic because Lovecraft didn’t believe in the existence of “farther lands.”  Lovecraft had no love for humans, no hope that human beings could perfect themselves and no faith that higher, spiritual beings exist who care about  us.  He saw only a bleak, frightening cosmos waiting in the future—a cosmos indifferent to us and filled with malevolent entities that seek to insure our destruction.

But this is Lovecraft’s belief and there is no reason why we have to accept it.  

For my part, I believe in the farther lands—the lands of beauty and promise— where we can, if we have enough love, hope and faith, make all of our dreams come true.

JLS 

October 2, 2024

Greetings Everyone!

It is the first week of October.

Ray Bradbury, who can be considered as the patron saint of October, describes the last day of the month in his book The Halloween Tree—a book that adults as well as children should read to get into the spirit of this timeless season.

“It was the afternoon of Halloween.

And all the houses shut against a cool wind.

And the town full of cold sunlight.

But suddenly, the day was gone.

Night came out from under each tree and spread.....

Anyone could see that the wind was a special wind this night and the darkness took on a special feel because it was All Hallows’ Eve. Everything seemed cut from soft black velvet or gold or orange velvet.  Smoke panted up out of a thousand chimneys like the plumes of funeral parades.....”

These words seem to be permeated with death. The cold wind; the velvet cerements; the funeral plumes; all of these seem to be a threat.

But Halloween is not about death.  It is about life.

The candle burning in the jack o’ lantern is life and, perhaps, the celebration of the everlasting life to come after death. 

JLS  

September 30, 2024

Greetings Everyone!

October is right around the corner—my  favorite month!

Ray Bradbury describes autumn in his book The October Country  as:

“That country where it is always turning late in the year.  That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay.  That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun.  That country whose people are autumn people, thinking only autumn thoughts.  Whose people passing at night on the empty walks sound like rain....”

In another book, Something Wicked This Way Comes, Bradbury warns us against the autumn people, whom he claims are soulless, evil things that seek to ensnare humans.  But Bradbury is wrong about that.

For there are autumn people who have souls and are not evil; they love autumn and celebrate the death of the year and the renewal that always follows.

JLS

 

September 29, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury!  I hope that all of you will pick up a copy!

In my previous posting, I have described Lovecraft’s first racist narrative: the miscegenation narrative.  In his later fiction, Lovecraft develops a second racist narrative—the slave master/slave narrative—which is drawn from Lovecraft’s knowledge of the Atlantic slave trade in colonial times.

Lovecraft  uses this narrative to  promote the practice of slavery.  He holds up the alien astronaut civilizations, the Mi-Go, the Elder Things and the Great Race, all of whom enslaved weaker races, as ideal civilizations — the highest, most advanced civilizations in the cosmos, in fact.  Since these civilizations kept slaves, or so the argument goes, the Anglo Saxon race should feel no compunctions about doing likewise.  

Check out my book for analysis of how Lovecraft uses his slave master/slave narrative in his great, science fiction masterpieces: “The Whisperer in Darkness,” “The Shadow Out of Time,” and  At the Mountains of Madness!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

JLS 

September 20, 2024

 Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury! I hope that all of you will pick up a copy!

H. P. Lovecraft, in his hybrid, degenerative monster tales, develops his first racist narrative—the miscegenation narrative—which holds that sexual liaisons or intimate, non-sexual associations between members of different races, pose a threat for Anglo Saxon whites. 

In Lovecraft’s view, miscegenation always debases the white partner — male or female — and it can lead to the production of mixed race children, which are, in effect, not only an abomination against natural law, but also a threat to the longevity of the white race and to the survival of western civilization in general.

Check out my book for analysis of how Lovecraft uses his miscegenation narrative in some of his most popular tales: “Herbert West—Reanimator,” “The Lurking Fear,” “The Rats in the Walls” and one of  his greatest tales: “The Shadow Over Innsmouth”!

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

September 14, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!  I hope that all of you will pick up a copy! 

Lovecraft makes extensive use of racist images in both his early and later works.   These images are drawn from Lovecraft’s observations of members of the non-white race that he most despised and abhorred,  African Americans,  especially as he observed them in the slums of his hometown Providence, Rhode Island and at close quarters during his brief residence in the Red Hook district of New York. 

Lovecraft focuses on the simian and ape-like characteristics that he insisted on seeing in the faces and forms of  the locals and then simply projects these onto his monsters.  He does this in a very conscious and deliberate manner in order to enhance the horror and the repugnance that these creatures inspire in the minds of his readers (or at least, so Lovecraft presumed).

Check out my book for analysis of how Lovecraft uses these images creatively in some of his most popular tales: “Arthur Jermyn,” “Herbert West—Reanimator,” and “The Rats in the Walls”!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

JLS

September 4, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom! I hope that all of you will pick up a copy!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

Lovecraft’s theory of evolution reveals a fear on his part that devolution is a stronger force than evolution.  In my previous posting, I argued that Lovecraft’s theory derives, in part, from  Robert Louis Stevenson’s novel Dr. Jekyll and Mr. Hyde.  Lovecraft was also influenced by Oscar Wilde’s The Picture of  Dorian Gray (1891).

The plot is fairly well-known: Dorian Gray, a beautiful young man, wishes that he could stay young and beautiful while his portrait ages.  He gets his wish; he looks exactly the same for twenty years; the painting, however, grows old and ugly.

Dorian complicates the issue by living a terrible, evil life—he commits murder and he drives men as well as women to suicide.  The portrait reveals Dorian’s inner corruption and it ends up looking even worse than simply an ugly, old man; it looks like a  misshapen, degenerate monster—a half-human, half simian monster.

At the end of the book, Dorian can no longer stand seeing himself like this and he stabs the portrait; then,  the painting  becomes beautiful again, but Dorian dies, and he leaves behind  the ugly, deformed body of his alter ego—much as Dr.  Jekyll in death left behind the hideous body of Mr. Hyde.

The moral of Wilde’s story is the same as Stevenson’s: devolution is stronger than evolution!

JLS

August 23, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Lovecraft’s theory of evolution reveals a fear on his part that degeneration is a stronger force than development; that human beings can more easily degenerate than they can regenerate.  Lovecraft’s theory derives, in part, from Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde (1886), a book that Lovecraft was very familiar with.

Mr. Hyde is described by numerous characters in the novel who get a close look at him as “deformed” or “degenerate.”  When  Jekyll transforms into Hyde, this can be interpreted as a devolution from a higher form of life into a lower one.  Over the course of Jekyll’s transformations, Hyde begins to dominate Jekyll, such that Jekyll finds it increasingly difficult to make the transition back to his integrated self.

Finally, in the climax of the novel, Jekyll cannot return to being Jekyll, and frustrated, he commits suicide and dies.  Interestingly, however, Jekyll still cannot break free; the dead body that remains is Hyde’s body.  The transformation is permanent, even in death. 

Here, Stevenson seems to be making the same argument that Lovecraft makes in his hybrid, degenerative monster tales: degeneration is a stronger force than regeneration. 

Or, to put it more bluntly, devolution is stronger than evolution!

JLS

August 13, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Lovecraft, in his theory of evolution,  argues that Anglo-Saxons and the other white races are descended from different, more advanced types of apes than the apes that Blacks are descended from; therefore, Blacks and whites are  separate species and Blacks should not be considered as human beings.

In his fictional works, especially in the early works—the tales that I refer to as the hybrid, degenerative monster tales—Lovecraft carries this argument even further.  He  suggests that when it comes to separate, but similar species such as Blacks and whites, there is a built-in genetic barrier that excludes members of the “lower” species from becoming members of the “higher” species.  However, the reverse is not true— members of the higher species can move between the barriers  and de-evolve if they so desire, but this will force them to leave their “humanity” behind.

You can read all about Lovecraft’s theory of evolution and how he uses it to justify his xenophobic political beliefs in Horror as Racism in H. P. Lovecraft!

 In my next posting, I will examine one of Lovecraft’s main sources for his views about de-evolution—Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde.    JLS

July 29, 2024

 Greetings Everyone!

I did a recent interview with Brandon Wallace on the Truth & Shadow Podcast.  The interview, The Dark Side of Imagination: Understanding Lovecraft's Complex Character, lasted  fifty-five minutes and it was a lot of fun. It is now available for listening or for download on Apple Podcasts, YouTube, and on various other on-line sites.

The interview was focused  primarily on my first book, H. P. Lovecraft & the Black Magickal Tradition, though I discussed my second and third books as well—my third book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was just released the first of this year, by Bloomsbury!

I hope that all of you will check out the interview!  Mr. Wallace, in his promotional introduction to the interview, has this to say:

“Join us on this intriguing episode of “Truth and Shadow” as we delve into the eerie and enigmatic worlds of science fiction, horror, and the occult with the renowned author John L. Steadman. Best known for his book “H.P. Lovecraft & the Black Magickal Tradition,” Steadman offers a unique perspective on the connections between Lovecraft’s mythos and esoteric traditions. We’ll explore the depths of Lovecraftian horror, the influence of occult practices, and the modern mythologies that continue to captivate and terrify audiences worldwide. Tune in for a chilling and intellectually stimulating discussion that peels back the layers of the unknown. Perfect for fans of horror literature, the occult, and anyone curious about the dark corners of human imagination.”

 https://m.youtube.com/watch?v=qBFNZaLnM5s&list=PLoXq9jY8Ast99u92Pp5N-_cnWZuGDnjx3&index=4&pp=iAQB

July 26, 2024

Greetings Everyone!

I did a recent interview with Brandon Wallace on the Truth & Shadow Podcast, hosted on Apple Podcasts!  

I hope that all of you will check out the interview!  Mr. Wallace, in his promotional introduction to the interview, has this to say:

“Join us on this intriguing episode of “Truth and Shadow” as we delve into the eerie and enigmatic worlds of science fiction, horror, and the occult with the renowned author John L. Steadman. Best known for his book “H.P. Lovecraft & the Black Magickal Tradition,” Steadman offers a unique perspective on the connections between Lovecraft’s mythos and esoteric traditions. We’ll explore the depths of Lovecraftian horror, the influence of occult practices, and the modern mythologies that continue to captivate and terrify audiences worldwide. Tune in for a chilling and intellectually stimulating discussion that peels back the layers of the unknown. Perfect for fans of horror literature, the occult, and anyone curious about the dark corners of human imagination.”

JLS

https://podcasts.apple.com/us/podcast/truth-shadow-podcast/id1714476896?i=1000663314231

July 9, 2024

 Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

In two of his earliest poems, “De Triumpho Naturae” (1905) and “On the Creation of Niggers”(1912), Lovecraft upends Darwin’s theory of evolution by proposing a theory of polygenesis, arguing that humans, including the superior types of humans—white Anglo Saxons—evolved from some type of highly developed quadruped, complete with pointed ears and a tail, like its distant cousin the monkey.  However, Blacks evolved from different, lower quadrupeds.  Thus, since white Anglo-Saxons and Blacks are not descended from the same quadrupeds, they are separate species, and therefore, Blacks should not be considered as human beings.

You can read all about Lovecraft’s theory of polygenesis in Horror as Racism in H. P. Lovecraft, and how Lovecraft uses this theory to insist that Blacks, like monkeys and apes, must be kept separate from humans—they represent, in fact, a threat to the purity of the white race. 

JLS

June 16, 2024

Greetings Everyone!

I hope all of you will pick up a copy of my recent book: Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales.   You can order it online from Bloomsbury, my  publishers, or from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Lovecraft lost his privileged lifestyle in his teen years, when he and his mother were forced to move out of their  Providence Rhode Island mansion and live instead in rented rooms located just blocks from their birthright.   This was the most traumatic event in Lovecraft’s life and it activated his white fragility, which had been latent up until this time.  Lovecraft’s racism intensified as well, for he could see that he wasn’t as privileged or superior to the so-called inferior, non-white races as he had believed.

Lovecraft’s loss of his privileged lifestyle, also, triggered a pattern of loss and failure that characterized Lovecraft’s life from that moment onwards: whenever he found himself facing a “crisis,” he would freeze up and be unable to act—thus, whatever he was trying to accomplish ended up in failure.   This pattern is evident not only in the various personal crises that Lovecraft found himself having to face in his adult life, but we see this same pattern of behavior reflected in the lives and careers of the fictional protagonists in his major works.

You can read all about Lovecraft’s personal traumas and the psychological and  psychosomatic problems that plagued him  in Horror as Racism in H. P. Lovecraft!

JLS  

June 4, 2024

 Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury. I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Lovecraft scholar Jeffrey Andrew Weinstock, in his essay “Tekeli-li: Poe, Lovecraft, and the Suspicion of Sameness” (2017) poses these questions: “If the affective power of a text is derived from retrograde sociopolitical points of view, to what extent is the reader who enjoys the works implicated in approving of and disseminating those opinions?  How, in short, should we read—and teach—racist texts?”

After reading Horror as Racism in H. P. Lovecraft, the reader should be in a better position to answer these questions, and though a few readers might find the answers easy, the majority, I think, will find them even more difficult.    JLS

And when you get a chance, please check out my other books as well.

https://www.amazon.com/Virtual-Reality-Science-Fiction-Lovecraft/dp/178904510X

https://redwheelweiser.com/book/h-p-lovecraft-and-the-black-magickal-tradition-9781578635870/ 

May 11, 2024

Greetings Everyone!

Please check out my new book: Horror as Racism in H. P. Lovecraft! 

You can order the book online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

Paul Rolland, Lovecraft scholar and author of The Curious Case of H. P. Lovecraft (2014), writes: “The deficiencies of the man do not...debase the quality of his best work.  If anything, they invest it with a twisted passion that is missing from his more fantastic fiction.”

You may agree with this, or not.  But “twisted passion” is the perfect phrase to describe Lovecraft’s work, especially the racist works.  Horror as Racism in H. P. Lovecraft is, at the very least, an attempt to study and understand exactly how passionate and twisted Lovecraft really was.

And if you haven't already, check out my two other books! They are all fun to read!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

https://www.amazon.com/Virtual-Reality-Science-Fiction-Lovecraft/dp/178904510X

https://redwheelweiser.com/book/h-p-lovecraft-and-the-black-magickal-tradition-9781578635870/ 

May 3, 2024

Greetings Everyone!

Please read my new book: Horror as Racism in H. P. Lovecraft. It is the definitive book on the topic of Lovecraft's racism and it explains how Lovecraft uses racist images and narratives to create hybrid monsters and his extra-terrestrial, cosmic slave masters. You can order the book from Bloomsbury, Amazon, and countless other on-line booksellers, or, if you prefer, pick up a copy at your local bookstore!   

And if you haven't already, check out my other books! They are all fun to read!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

https://redwheelweiser.com/book/h-p-lovecraft-and-the-black-magickal-tradition-9781578635870/

https://www.amazon.com/Virtual-Reality-Science-Fiction-Lovecraft/dp/178904510X

April 18, 2024

 Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently released by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states as well as overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Horror as Racism in H. P. Lovecraft is the first, book-length study that addresses the topic of Lovecraft’s racism and white privilege.  The book will show for the first time the full extent of Lovecraft’s racism, which ranges from the early works—the hybrid, degenerative monsters tales, as I refer to them, to the later, mature works—the great tales, as they are sometimes called, where Lovecraft’s extra-terrestrial alien races—all of them cosmic slave masters—square off against their own manufactured slave races and, in certain cases, human slaves as well.

The book, in particular, studies how Lovecraft uses his racial hatred creatively by developing racist images and narratives to advocate for his xenophobic political beliefs: that western civilization is in decline due to unrestrained immigration, miscegenation and hybridism; and that slavery is not only endemic, but justifiable among superior civilizations, especially the white, Anglo-Saxon civilizations.

There is no writer in the English language, and certainly, no writer of comparable magnitude to Lovecraft, who even attempts to do such a thing.  It is, quite literally, an unprecedented phenomenon.

So, please check it out!

John L. Steadman

April 7, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, has recently been released by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states and overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

H. P. Lovecraft, in his early tales, makes use of his racist miscegenation narrative.  In his later fiction,  Lovecraft devises a second racist narrative—the slave master/slave narrative—which is drawn from Lovecraft’s knowledge of the Atlantic slave trade in colonial times. 

Lovecraft  uses this narrative to  promote the practice of slavery.  He holds up the alien astronaut civilizations, the Mi-Go, the Elder Things and the Great Race, all of whom enslaved weaker races, as ideal civilizations — the highest, most advanced civilizations in the cosmos, in fact.  Since these civilizations kept slaves, or so the argument goes, the Anglo Saxon race should feel no compunctions about doing likewise.  

 
Check out my book for analysis of how Lovecraft uses his slave master/slave narrative in his great, science fiction masterpieces: “The Whisperer in Darkness,” “The Shadow Out of Time,” and  At the Mountains of Madness!

JLS

 

March 27, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, has recently been released by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states and overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

H. P. Lovecraft, in his hybrid, degenerative monster tales, makes use of  the miscegenation narrative, which holds that sexual liaisons or intimate, non-sexual associations between members of different races, or species, pose a threat for Anglo Saxon whites. 

In Lovecraft’s view, miscegenation always debases the white partner — male or female — and it can lead to the production of mixed race children, which are, in effect, not only an abomination against natural law, but also a threat to the longevity of the white race and to the survival of western civilization in general.

As a further elaboration of the miscegenation narrative, there are two types of miscegenation narratives in Lovecraft’s fiction.  First, there is miscegenation by blood; in these cases, the relationship between the two parties is always sexual, and hybrids are produced.  Second, there is miscegenation by association; in these cases, no sexual contact occurs; the danger, thus, arises merely from the contact between the partners. 

 Check out my book for analysis of how Lovecraft uses his miscegenation narrative  in some of his most popular tales: “Herbert West—Reanimator,” “The Lurking Fear,” “The Rats in the Walls” and one of  his greatest tales: “The Shadow Over Innsmouth”!

JLS

 

March 18, 2024

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, has recently been released by Bloomsbury, the foremost academic publisher in the United States and in the United Kingdom!

I hope that all of you will pick up a copy; you can order it online from the publishers and, of course, from Amazon and other online booksellers around the world.  The book is also available in bookstores here in the states and overseas.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/ 

Lovecraft makes extensive use of racist images in both his early and later works.   These images are drawn from Lovecraft’s observations of members of the non-white race that he most despised and abhorred,  African Americans,  especially as he observed them in the slums of his hometown Providence, Rhode Island and at close quarters during his brief residence in the Red Hook district of New York.

Lovecraft focuses on the simian and ape-like characteristics that he insisted on seeing in the faces and forms of  the locals and then simply projects these onto his monsters.  He does this in a very conscious and deliberate manner in order to enhance the horror and the repugnance that these creatures inspire in the minds of his readers (or at least, so Lovecraft presumed). 

Check out my book for analysis of how Lovecraft uses these images in some of his most popular tales: "Arthur Jermyn," "Herbert West—Reanimator," and "The Rats in the Walls"!

JLS