Tuesday, July 28, 2026

July 28, 2026

 Greetings Everyone!

I hope all of you will pick up a copy of my newest book! You can get it on Amazon, Bloomsbury and other on-line book sellers. 

In my previous posting, I argued that H. P. Lovecraft’s theory of devolution derives, in part, from  Robert Louis Stevenson’s novel Dr. Jekyll and Mr. Hyde.  Lovecraft was also influenced by  Oscar Wilde’s The Picture of  Dorian Gray, written around the same time.

The plot is fairly well-known: Dorian Gray, a beautiful young man, wishes that he could stay young and beautiful while his portrait ages.  He gets his wish; he looks exactly the same for twenty years; the painting, however, grows old and ugly.

 Dorian complicates the issue by living a terrible, evil life—he commits murder and he drives men as well as women to suicide.  The portrait reveals Dorian’s inner corruption and it ends up looking even worse than simply an ugly, old man; it looks like a  misshapen, degenerate monster—a half-human, half simian monster.

 At the end of the book, Dorian can no longer stand seeing himself like this and he stabs the portrait; the painting  becomes beautiful again, but Dorian dies, and he leaves behind the ugly, deformed body of his alter ego—much as Jekyll in death left behind the hideous body of Hyde.

 The moral of Wilde’s story is the same as Stevenson’s: devolution is stronger than evolution!

 The themes of degeneration and devolution are also central to Bram Stoker’s famous novel Dracula.  And this goes for J. Sheridan Le Fanu’s equally famous novel Carmilla.   We shall look at these books in future postings.

 https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

 JLS

Wednesday, July 22, 2026

July 22, 2026

 Greetings Everyone!

I hope all of you will pick up a copy of my recent book:  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, available at Amazon, Bloomsbury, and other online booksellers!

You can read all about Lovecraft’s theory of evolution, which reveals a fear on his part that degeneration is a stronger force than development; that human beings can more easily devolve than they can evolve. Lovecraft’s theory derives, in part, from Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde (1886), a book that Lovecraft was very familiar with.

Mr. Hyde is described by numerous characters in the novel as “deformed” or “degenerate.”  When  Jekyll transforms into Hyde, this can be interpreted as a devolution from a higher form of life into a lower one.  Over the course of Jekyll’s transformations, Hyde begins to dominate Jekyll, such that Jekyll finds it increasingly difficult to make the transition back to his integrated self.

Finally, in the climax, Jekyll cannot return to being Jekyll; frustrated, he commits suicide and dies.  Interestingly, however, Jekyll still cannot break free; the dead body that remains is Hyde’s body.  The transformation is permanent, even in death.

Here, Stevenson is making the same argument that Lovecraft makes in his hybrid, degenerative monster tales: devolution is stronger than evolution!

In my next two postings, I will examine two additional Victorian horror masterpieces that inspired Lovecraft’s evolutionary theories: Oscar Wilde’s The Picture of Dorian Gray and Bram Stoker’s Dracula.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS

Tuesday, July 21, 2026

July 21, 2026

Greetings Everyone!

I hope all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

In my last posting, I talked about Lovecraft’s racist, polygenetic theory of  evolution.  Lovecraft argues that  Anglo-Saxons and the other white races, who are genuine human beings, are descended from advanced types of apes.  In contrast,  blacks and the lesser races are descended from lower, less evolved apes. Therefore, blacks and whites are  separate species and blacks should not be considered as human beings.

In his fictional works, especially in the early works—the tales that I refer to as the hybrid, degenerative monster tales—Lovecraft carries this argument even further.

He suggests that when it comes to separate, but similar species such as blacks and whites, there is a built-in genetic barrier that excludes members of the “lower” species from becoming members of the “higher” species.  However, the reverse is not true— members of the higher species can move between the barriers  and de-evolve if they so desire, but this will force them to leave their “humanity” behind.

 You can read all about Lovecraft’s theory of de-evolution and how he uses it to justify his xenophobic political beliefs in Horror as Racism in H. P. Lovecraft!

In my next posting, I will examine one of Lovecraft’s main sources for his views about de-evolution—Robert Louis Stevenson’s famous novel: Dr. Jekyll and Mr. Hyde.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS


Sunday, July 19, 2026

July 19, 2026

 Greetings Everyone!

I hope that all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

In two of his earliest poems, “De Triumpho Naturae” (1905) and “On the Creation of Niggers”(1912), Lovecraft upends Darwin’s theory of evolution by proposing a theory of polygenesis, as opposed to genesis. 

According to this theory, humans, including the superior types of humans—white Anglo Saxons—evolved from some type of highly developed quadruped, complete with pointed ears and a tail, like their distant cousin the monkey. However, blacks evolved from different, lower quadrupeds. 

Thus, or so the theory holds, since white Anglo-Saxons and blacks are not descended from the same quadrupeds, they are separate species, and therefore, Lovecraft concluded, blacks should not be considered as human beings.

You can read all about Lovecraft’s theory of polygenesis in Horror as Racism in H. P. Lovecraft, and how Lovecraft uses this theory to insist that blacks, like monkeys and apes, must be kept separate from humans—that they represent, in fact, a threat to the purity of the white race. 

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Sunday, June 21, 2026

June 21, 2026

 Greetings Everyone!

Check out my second  book: Aliens, Robots & Virtual Reality Idols in the Science Fiction of H. P. Lovecraft, Isaac Asimov and William Gibson.   You can get it in book stores, and on Amazon and other online sites throughout the US and the world.  I hope all of you will pick up a copy!

Carl H. Sederholm, Professor of Interdisciplinary Humanities at Brigham Young University, writes this about my book: 

“[It] offers a welcome commentary on what it means to encounter the Other under the most extreme possibilities.  It also provides an insightful—and sometimes even chilling—analysis of several works by H. P. Lovecraft, Isaac Asimov, and William Gibson to suggest how each author imagines the human, the alien and the universe.  The result is an insightful and interesting read that offers a new perspective on each author while also focusing on what it means to be human in an increasingly strange world.”

Perhaps, you might feel a chill or two run up and down your spine when you read it! 

https://www.amazon.com/Virtual-Reality-Science-Fiction-Lovecraft/dp/178904510X

JLS

Saturday, June 20, 2026

June 20, 2026

 Greetings Everyone!

Check out my first book: H. P. Lovecraft & the Black Magickal Tradition! You can get it in book stores, and at various online sites throughout the US and the world, including Amazon and Red Wheel /Weiser LLC.  I hope all of you will pick up a copy!

Nick Mamatas, well-known sf writer and author of such classics as Move Under Ground and Love Is the Law, writes this about my book:

“They say truth is stranger than fiction, but is truth stranger than Lovecraftian fiction?  John L. Steadman’s in-depth look at Lovecraft and the occult proves that it is!  A fascinating mix of literary criticism, subaltern history, and occult minutiae, even for non-occultists like myself.”

Is truth stranger than Lovecraftian fiction?  Decide for yourself after you read it!

https://www.amazon.com/Lovecraft-Black-Magickal-Tradition-Influence/dp/157863587X

JLS

Saturday, June 13, 2026

June 13, 2026

Greetings Everyone!

I hope that all of you will pick up a copy of my recent book,  Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales!

Lovecraft lost his privileged lifestyle in his teen years, when he and his mother were forced to move out of their  Providence Rhode Island mansion and live instead in rented rooms located just blocks from their former house. 

This was the most traumatic event in Lovecraft’s life and his racial hatred against non-whites intensified, for he could see that he and his mother weren’t as privileged or superior to these so-called inferior races as he had believed.

This event, also, triggered a pattern of loss and failure that characterized Lovecraft’s life from that moment onwards: whenever he faced a crisis, he would freeze up and be unable to act—thus, whatever he was trying to accomplish usually ended up in failure. 

The pattern of loss and failure is evident not only in the various personal crises that Lovecraft found himself having to face in his adult life, but we see this same pattern of behavior reflected in the lives and careers of the fictional protagonists in his major works.

You can read all about Lovecraft’s personal traumas and the psychological problems that plagued him in my book! 

All of these traumas and problems laid the foundation for most of his greatest tales especially “The Rats in the Walls,” The Case of Charles Dexter Ward, “The Shadow Over Innsmouth” and “The Dreams in the Witch-House”.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS  

Friday, June 12, 2026

June 12, 2026

 Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury!  I hope that all of you will pick up a copy!

In a previous posting, I have described Lovecraft’s first racist narrative: the miscegenation narrative.  In his later fiction, Lovecraft develops a second racist narrative—the slave master/slave narrative, which is drawn from Lovecraft’s knowledge of the Atlantic slave trade in colonial times. 

Lovecraft  uses this narrative to  promote the practice of slavery.  He holds up the alien astronaut civilizations, the Mi-Go, the Elder Things and the Great Race, all of whom enslaved weaker races, as ideal civilizations — the highest, most advanced civilizations in the cosmos, in fact.  Since these civilizations kept slaves, or so the argument goes, the Anglo Saxon race should feel no compunctions about doing likewise.  

Check out my book for analysis of how Lovecraft uses his slave master/slave narrative in his great, science fiction masterpieces: “The Whisperer in Darkness,” “The Shadow Out of Time,” and  At the Mountains of Madness!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

JLS

Sunday, May 10, 2026

May 11, 2026

 Greetings Everyone!

I hope all of you will pick up a copy of my most recent book: Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales! You can get  it from Bloomsbury, Amazon and other online sources, and, of course, in bookstores.    

H. P. Lovecraft, in his hybrid, degenerative monster tales, as I refer to them, makes use of  the miscegenation narrative, which holds that sexual liaisons or intimate, non-sexual associations between members of different races, or species, pose a threat for Anglo Saxon whites. 

 In Lovecraft’s view, miscegenation always debases the white partner — male or female — and it can lead to the production of mixed race children, which are, in effect, not only an abomination against natural law, but also a threat to the longevity of the white race and to the survival of western civilization in general.

 As a further elaboration of the miscegenation narrative, there are two types of miscegenation narratives in Lovecraft’s fiction.  First, there is miscegenation by blood; in these cases, the relationship between the two parties is always sexual, and hybrids are produced.  Second, there is miscegenation by association; in these cases, no sexual contact occurs; the danger, thus, arises merely from the contact between the partners.

Check out my book for analysis of how Lovecraft uses his miscegenation narrative  in some of his most popular tales: “The Lurking Fear,” “The Rats in the Walls” and one of his greatest tales: “The Shadow Over Innsmouth”!

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

JLS



May 10, 2026

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury; I hope that all of you will pick up a copy!

Lovecraft makes extensive use of racist images and racist narratives in both his early and later works—I will identify the racist narratives in the next posting; here, I am discussing the racist images.  

These images are drawn from Lovecraft’s observations of members of the non-white race that he most despised and abhorred,  African Americans,  especially as he observed them in the slums of his hometown Providence, Rhode Island and at close quarters during his brief residence in the Red Hook district of New York. 

Lovecraft focuses on the simian and ape-like characteristics that he insisted on seeing in the faces and forms of  the locals and then simply projects these onto his monsters.  He does this in a very conscious and deliberate manner in order to enhance the horror and the repugnance that these creatures inspire in the minds of his readers (or at least, so Lovecraft presumed).

Check out my book for analysis of how Lovecraft uses these images creatively in some of his most popular tales: “Arthur Jermyn,” “Herbert West—Reanimator,” and “The Horror at Red Hook”!

 https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107706/

 JLS 





Tuesday, April 28, 2026

April 29, 2026

Greetings Everyone!

Check out my first book: H. P. Lovecraft & the Black Magickal Tradition! You can get it in book stores, and at various online sites throughout the US and the world, including Amazon and Red Wheel /Weiser LLC.  I hope all of you will pick up a copy!

Richard Lupoff, renowned sf author, writes: “Was Lovecraft merely a writer of horror stories or was there something more to his works?... In H.P. Lovecraft and the Black Magickal Tradition, John L. Steadman addresses this question head-on...Steadman’s scholarship is impressive and the revelations in his book may well be as shocking to skeptics (including me!) as they are reassuring to believers.  I recommend this book unreservedly to any admirer of Lovecraft, whichever camp the reader may belong to.”

Perhaps, you may find some revelations of your own when you read it! 

https://www.amazon.com/Lovecraft-Black-Magickal-Tradition-Influence/dp/157863587X

John L. Steadman 

April 28, 2026

 Greetings Everyone!

Check out my second  book: Aliens, Robots & Virtual Reality Idols in the Science Fiction of H. P. Lovecraft, Isaac Asimov and William Gibson.   You can get it in book stores, and on Amazon and other online sites throughout the US and the world.  I hope all of you will pick up a copy!

David Simmons, Lovecraft scholar, writes: “Steadman’s comprehensive guide wrestles with the concept of the ‘alien’, applying cutting edge theoretical and philosophical ideas to the work of some of the greats of Science Fiction to arrive at the set of exciting, new discoveries about what the genre says it means to be ‘human’.  Reading Aliens, Robots and Virtual Reality Idols guarantees that you will never look at the writing of Lovecraft, Asimov or Gibson in the same way again.”

Perhaps you will, in fact, look at the works of these writers differently after reading my book! 

https://www.amazon.com/Virtual-Reality-Science-Fiction-Lovecraft/dp/178904510X

John L. Steadman

Thursday, March 26, 2026

March 26, 2026

 Greetings Everyone!

Always thank God for your blessings! And never stand in the way of God's judgement.















JLS

Tuesday, February 24, 2026

February 24, 2026

Greetings Everyone!

My new book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury! I hope that all of you will pick up a copy!

Lovecraft scholar Jeffrey Andrew Weinstock, in his essay “Tekeli-li: Poe, Lovecraft, and the Suspicion of Sameness” (2017) poses these questions: “If the affective power of a text is derived from retrograde sociopolitical points of view, to what extent is the reader who enjoys the works implicated in approving of and disseminating those opinions?  How, in short, should we read—and teach—racist texts?” 

After reading Horror as Racism in H. P. Lovecraft, the reader should be in a better position to answer these questions, and though a few readers might find the answers easy, the majority, I think, will find them even more difficult.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

JLS 

Friday, January 30, 2026

January 30, 2026

Greetings Everyone!

My newest book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, has been recently published by Bloomsbury!  I hope that all of you will pick up a copy!

Paul Rolland, Lovecraft scholar and author, writes: “The deficiencies of the man do not....debase the quality of his best work.  If anything, they invest it with a twisted passion that is missing from his more fantastic fiction.”

"Twisted passion” is the perfect phrase to describe Lovecraft’s work, especially the racist works.  One could argue, in fact, that this twisted  passion enhanced Lovecraft's fiction, especially the hybrid, degenerative monster tales, making them much more frightening and  investing them with raging, nearly psychotic emotion.

You may agree with this, or not.  But my book is, at the very least, an attempt to study and understand exactly how passionate and twisted Lovecraft really was.

So, please check it out!

JLS

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

Monday, January 5, 2026

January 5, 2026

Greetings Everyone!

It is now a New Year and I hope that all of you will develop resolutions that will make this year better than the last!  I hope, also, that you will put those resolutions into practice and be happy and productive!  

My book, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales, was recently published by Bloomsbury!   Please check it out!

The book, in particular, studies how Lovecraft uses his racial hatred creatively by developing racist images and narratives to advocate for his xenophobic, political beliefs: western civilization is in decline due to unrestrained immigration, miscegenation and hybridism; and, slavery is not only endemic, but justifiable among superior civilizations, especially the white, Anglo-Saxon civilizations.

There is no writer in the English language, and certainly, no writer of comparable magnitude to Lovecraft, who even attempts to do such a thing.  It is, quite literally, an unprecedented phenomenon.

https://www.bloomsbury.com/us/horror-as-racism-in-h-p-lovecraft-9798765107690/

John L. Steadman