H. P. LOVECRAFT &THE BLACK MAGICKAL TRADITION can be PRE-ORDERED now on AMAZON or at BARNES &NOBLE.
AMAZON
BARNES & NOBLE.
A full description of the book, along with other pertinent information, can be found on my website:
www.johnlsteadman.com.
I have some events coming in the autumn which might be of interest.
The Church of Mabus
Radio Interview- Friday, 9/4/15 7:00 PM Eastern Time
The Crazy Wisdom Bookstore & Tea Room.
Book Signing Event- Tuesday, 10/6/15, 7:00-8:30 PM
Continuing my exploration of different issues associated
with H. P. Lovecraft, many fans of horror and fantasy fiction find it rather
odd that Lovecraft was a self-professed materialist and an atheist. These readers often wonder why Lovecraft felt
inclined to create a pantheon of gods and goddesses since a “real” atheist
wouldn’t commonly do such a thing. After
all, atheists are not supposed to believe in gods or goddesses.
It is true, of course, that Lovecraft identified himself as
a “mechanistic materialist”, by which he meant that he was a believer in the
doctrine that nothing exists apart from matter and that all the facts of
existence and experience can be explained in reference to the laws of material
substances. Since spiritual beings such
as gods or goddesses are immaterial, Lovecraft denied their existence. In this sense, he was, at least
philosophically, an atheist. But
Lovecraft also acknowledged that humans have an incomplete and limited
knowledge of reality and thus, he tended to keep an open mind on the issue of
spirituality, accepting the premise that there might be alternate levels of
being that “supplement” rather than contradict the laws of material substances.
Consequently, Lovecraft was closer in his thinking to agnosticism rather than
to pure atheism.
There are two other things that should be considered in this
context. First, Lovecraft’s mechanistic,
materialist side represented only one aspect of his complex psyche; another, more
important aspect to Lovecraft was his deep, abiding respect for dreams and the
dreamscape. Lovecraft was an avid
dreamer all of this life and he was both fascinated and frightened by what he
encountered in his dreams. Secondly, Lovecraft had always been drawn to weird
themes and weird literature since his earliest childhood days and his
fascination with the weird ultimately led him to creative composition. And when
he created, elements of both the materialistic and the dreaming aspects of
Lovecraft’s psyche were invariably represented in his work.
Thus, Lovecraft didn’t deliberately go about constructing
gods and goddesses; his pantheon of entities naturally arose as his writing and
dream life intensified. And,
interestingly enough, his extra-terrestrial entities reflect his scientific approach
to the cosmos. In many of the stories
and poems, the Great Old Ones are depicted as actual extra-terrestrial entities
and not really gods or goddesses at all; they are demythologized, as S. T.
Joshi refers to it. In other stories and
poems, when the Great Old Ones are
presented as Gods and Goddesses, Lovecraft gives us very sophisticated
entities, entities that conform, as much as possible, to descriptions of the
Quantum Universe.
JLS
JLS
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